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MODAFRAME

SOL MODA

Fashion Photographer, Stylist & Creative Director

Based in Miami, Florida I've been a resident to the fashion photography world for 10 years and counting. I've created, critiqued, consulted, styled and directed.

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CLIENTS WORKED WITH

VOGUE MAGAZINE

Photographer, 2016

Associate Stylist & Photographer, 2019

Stylist & Creative Director, 2021

Creative Director, 2023

ELLE MAGAZINE

Photographer, 2016

Stylist & Photographer, 2018

Stylist & Photographer, 2019

Stylist & Creative Director, 2022

NUMERO MAGAZINE

Associate Stylist & Photographer, 2019

Associate Stylist & Photographer, 2020

Stylist & Creative Director, 2021

Creative Director, 2023

PURPLE FASHION MAGAZINE

Photographer, 2023

Associate Stylist & Photographer, 2023

Stylist & Creative Director, 2024

Creative Director, 2025

LATEST PROJECT

2025 Issue 
INDI Magazine
Editorial Styling
Street Photography
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When I'm not taking photos, styling or directing, I provide creative consulting for luxury fashion brands across the globe. My creative work has led to selling digital prints with a focus on street photography and fashion.

Work available upon request.

Launching June 2025
Indi Street Photography

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INSIDE THE FRAME

The Moda Frame Journal explores the intersection of style, story, and street — through the lens of photographer Sol Moda.

In a world saturated with perfection, Moda Frame captures the moments in between — the grit, the elegance, and the emotion that make every frame unforgettable. Whether it’s a fleeting street scene, an unfiltered look backstage, or a story told through light and texture, each image reveals something deeper.

Step behind the lens and discover insights, inspiration, and behind-the-scenes stories on the Moda Frame Journal, where art meets attitude.

Featured
From Streets to Studio: Building Visual Consistency Across Your Editorial Work
From Streets to Studio: Building Visual Consistency Across Your Editorial Work

The best photographers have a signature — a visual fingerprint that’s unmistakably theirs. But when you shoot across environments, from urban streets to studio sets, that consistency can slip. I’ve learned that visual identity isn’t about location — it’s about language. In this post, I’m sharing how I keep my style cohesive across every frame, no matter the setting.

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Featured
Shooting Fashion in Motion: Capturing Street Energy Without Losing Style
Shooting Fashion in Motion: Capturing Street Energy Without Losing Style

Street energy is unpredictable — and that’s exactly what makes it irresistible. Shooting fashion in motion is about finding rhythm in chaos. Whether it’s a model crossing a busy intersection or light bouncing off a passing car, your goal is to merge elegance with reality. Here’s how I capture movement without sacrificing the aesthetic edge fashion demands.

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Featured
The Editorial Eye: Seeing Everyday Life Like a Fashion Spread
The Editorial Eye: Seeing Everyday Life Like a Fashion Spread

Editorial vision isn’t something you switch on for a paid shoot — it’s a way of seeing. The streets, the light, the people around you — it’s all source material. Developing an editorial eye means finding beauty in motion, composition in chaos, and elegance in reality. Here’s how I train my eye to see the extraordinary in the ordinary.

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Featured
Behind the Frame: Crafting a Narrative Through Photography
Behind the Frame: Crafting a Narrative Through Photography

When I shoot, I’m not just capturing moments — I’m building worlds. The best editorials don’t just show fashion; they tell stories through expression, body language, and composition. Whether I’m documenting life in the city or creating a stylized concept, I always start with one question: what’s the story here? This post breaks down how to turn a simple shoot into a visual narrative.

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Featured
The Beauty of Imperfection: Why Editorial Photography Needs Raw Edges
The Beauty of Imperfection: Why Editorial Photography Needs Raw Edges

Perfection is boring. The fashion world may love polished campaigns, but the real magic happens in the moments you don’t plan — a shadow falling across a model’s face, wind ruining the hair you styled for an hour, or a glance caught mid-laugh. As an editorial photographer, I’ve learned that imperfection isn’t something to edit out — it’s what gives an image its soul.

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